To the credit of the casting, direction and acting the performances here all make the most of the material, of particular note however are both Brad Pitt who continues to give great performances in everything he works on, and to Ben Mendelsohn who transforms into his character with a likeable but repulsive demeanour. With a great script and dialogue being such a centrepiece to the film it is heavily dependent upon the cast to bring it together with chemistry and performances that make the most of the material. The script manages to be funny, intense, shocking, and brutal as it follows events across this cast of characters. There are no rushed moments here, the dialogue demands the audience’s complete attention and delivers rewards in return. The film is driven almost exclusively by its character’s interactions, and it portrays these scenes in great detail. ‘Killing Them Softly’ is a dense script, packed full of long, sometimes meandering but always entertaining dialogue exchanges from beginning to end. Where ‘Killing Them Softly’ really shines, is not in the broad story but in the script. The manner in which the film continues to revisit these speeches comes across pretty blunt by the time the film wraps, however Dominik uses the setting to deliver something of a capitalist commentary but at its core the story at hand is a fairly familiar one. The background setting provides an interesting context in which the film takes place, with every opportunity taken to display an idealistic icon onscreen delivering speeches designed to unite the community and promote the moral fibre of the country. Writer/director Andrew Dominik isn’t known for having made many films, but is known for quality films with ‘Killing Them Softly’ being his third written/directed film following up 2000’s ‘Chopper’ and 2007’s ‘The Assassination of Jesse James by the Coward Robert Ford’.īased on the crime novel ‘Cogan’s Trade’ by George V Higgins, ‘Killing them Softly’ see’s Dominik reunite with Brad Pitt in a gangster tale set in the context of the global financial crisis and Barrack Obama moving into the Presidency. Navigating between his indecisive crime bosses and the dim witted lowlifes behind the heist, Cogan moves to restore order, and protect his interests before the situation spirals out of control.
When their illegal card game is held up, and the life blood of the criminal economy is on the verge of collapse, the mafia calls in enforcer Jackie Cogan to fix the situation.
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